Photo:T.Marshall
![Houghton-on-the-Hill, Trinity & Apostles/Judgement [143KB]](houghto.jpg)
There are three tiers visible here - the topmost with the roundel and something as yet unidentified on the left. Below this, and much clearer, is a row of head-and-shoulders figures with scrolls, each of them also in a roundel; another three are faint but detectable to the right beyond the apex of the chancel arch opening, and there were probably twelve originally. These figures are thought to be the Twelve Apostles, shown here as co-assessors at the Judgement. The belief that they would actually take part derives from Luke 22:30 where Christ at the Last Supper promises the disciples that they will sit on thrones judging the twelve tribes of Israel. The figures, all painted as young and beardless, hold scrolls, perhaps bearing the appropriate sentence from the Apostles Creed¹.
In the lowest tier, and thus to the left of the chancel arch seen here on the right, is the human experience of the Doom or Last Judgement. Moving left from the opening into the chancel, a haloed figure, presumably an angel, with large almond eyes and long, elegantly streamlined wings extended behind him to the right, is blowing a trumpet. To the left of this, souls, including one who may be female to the immediate left of the trumpeting angel, hold out their hands in supplication.
This painting is certainly very early, but its exact date is still debatable. A date in the 11th century has been claimed, and that may well turn out to be correct. But some of the painting at Houghton - once again not all of it fully uncovered - is later, including, on the South Wall, a Harrowing of Hell.
More will be known when the uncovering and conservation work at Houghton is complete, but the survival of the paintings is remarkable - the more so because it was largely a matter of luck. The fact that they are still there to be found is due almost entirely to a local engineer and surveyor who single-handedly rescued this church from dereliction after many years of disuse and neglect. Other paintings of the Doom are in the table below, and there are links to paintings of comparably early date at the top and bottom of this page.
¹Discussed briefly in connection with the painting of St.James the Great at Hales, Norfolk
Purgatorial Ladder, with the Seven Deadly Sins, Chaldon, Surrey NEW
© Anne Marshall 2002