Christ is seated on a rainbow, as in most paintings of the Doom, and his feet rest on the orb of the world, but his entire figure, with hands raised to show his wounds, is framed within a mandorla, the almond-shaped aureole that came into Christian art from an early date.
A scroll, now unreadable, curves across his body. On either side of him is an angel with Instruments of the Passion; the one on the right has the Pillar of the Scourging.
Apart from these, no other details can be made out, with the exception of the elaborate star-shaped frame with something rectangular inside at the lower right. Caiger-Smith¹ suggested that this too might contain Instruments of the Passion, and that is certainly possible. There is another, apparently identical, star-emblem in the south aisle, but the hint of a figure standing at the left beside this one may be illusory rather than real - it is a perennial problem with badly damaged or faded paintings.

Houghton Conquest also has a very faded St. Christopher and some post-Reformation texts.

¹Caiger-Smith, English Medieval Mural Paintings, p.130

Woman Donor, Doom at North Cove

Ashampstead, Berkshire	Attleborough, Norfolk (Christ in Majesty) NEW	Bacton, Suffolk	Bartlow, Cambridgeshire (Weighing)	Beckley, Oxfordshire
Bishopsbourne, Kent (Weighing)	Blyth, Nottinghamshire	Bradfield, Norfolk	Broughton, Bucks.	Broughton, Cambs
Catherington, Hampshire (Weighing)	Chelsworth, Suffolk	Chesterton, Cambs.	Corby Glen, Lincs	Flamstead, Herts.
Great Harrowden, Beds	Houghton Conquest, Beds (Christ in Majesty)	Ickleton, Cambs.	Marston Moreteyne, Beds	Marton, Cheshire
Newington-next-Sittingbourne, Kent	North Cove, Suffolk	Pickworth, Lincs	Potter Heigham, Norfolk	Rotherfield, E.Sussex (Doom)
Rotherfield, E. Sussex (Weighing)	Salisbury, Wilts	Slapton, Northants (Weighing)	South Leigh, Oxon (Doom)	South Leigh, Oxon (Weighing)
Stoke-by-Clare, Suffolk	Wenhaston, Suffolk	West Somerton, Norfolk	Widford, Herts	Wissington, Suffolk
Yaxley, Suffolk

21/5/2001